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Приветствую Вас, Гость · RSS 14.11.2024, 10:25
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Blomkamp, 35 锟?to this day still obsessed with model-making, prosthetics, special effects and computer graphics 锟?studied 3D animation and visual effects in Vancouver, broke into directing TV commercials and music videos, wrote and directed a few short films, and launched his feature directing career with the surprise science fiction hit 锟紻istrict 9.锟?He followed that with another sci-fier, 锟紼lysium,锟?and he锟絪 sticking with the genre in his newest, 锟紺happie,锟?which opens on March 6. He recently spoke about 锟紺happie,锟?the story of a police robot who begins to think and act like a human, in New York.Q: You锟絭e said that your first two films were born out of a visual concept first. Was it the same thing with 锟紺happie?锟紸: Visuals hold my interest a lot more, and they explain concepts and ideas to me in a way that words don锟絫. I锟絤 good at extrapolating ideas and stories out of images. 锟紼lysium锟?had a lot of problems with it, and it didn锟絫 feel it was as honest a film to me as 锟紻istrict 9锟?or 锟紺happie锟?does. But the idea of a satirical space station, as an image, as a sort of Prada diamond-encased space station of wealth hovering over an impoverished Earth in 锟紼lysium,锟?that concept to me still is an awesome one, and I still love that idea. That image could lead to a lot of things. 锟紺happie锟?started with 锟絋etra Vaal,锟?the short film I did in 2003. When you look at it, it锟絪 extremely content-less. It looks like a police robot patrolling South Africa. But often those kinds of images are saying more than I锟絤 aware of at the time. Now I锟絤 starting to realize the amount of effort and thought that went into certain ideas that lie in waiting, and later can be resurrected because of some other idea that I had, and they can live together. And all of a sudden the idea is more powerful. That锟絪 exactly what happened with 锟紺happie.锟絈: You锟絭e had Sharlto Copley, who does a motion capture performance of Chappie, in all of your films, and he锟絪 been an amazing improviser. Was there a different approach to directing him in this one?A: At the beginning of the production, I had told him I wanted the movie to be improvved and loose and more like 锟紻istrict 9.锟?But then I felt that the script on this one was really good. There was something about it where I wanted the script to stay the script and I wanted the scenes to remain the scenes that were written. I decided that I didn锟絫 want improvisation. So within the first couple of days of shooting, I was forcing that, and Sharl was resistant to it. But when he saw where I was coming from he made it even better than I expected him to. He kind of turned all of what he brought into the physicality of the robot, and still conveyed the lines that were there. Ultimately, everything in the film was premeditated. The script wasn锟絫 deviated from, though he still did a little bit of improvisation, and that was fine. Everything was much more by the numbers than I锟絭e done before.Page 2 of 2 - Q: Why are advance articles about the film referring to it as a science fiction comedy? It锟絪 an action film, not a comedy.A: Right, that was so screwed up. When I was doing press for 锟紼lysium,锟?people were asking me what I was doing next, and there is a project, which is a comedy, that I wanted to make then. And I still want to make it. But I think people heard me say that back then and they assigned it to 锟紺happie.锟絈: At the end of 锟紻istrict 9,锟?there was a broad hint that the story would be picked up again three years in the future. Are there actually plans for a sequel?A: I don锟絫 know. I would like to. It锟絪 just a timing thing. These projects are so difficult to make, and they take so long. The equation goes: Is it really worth taking that amount of time to do something that you锟絭e already done, or is it worth taking time to experiment with something new that you haven锟絫 done? I have a really awesome idea that I wrote for a sequel to 锟紻istrict 9锟?that I love, and I would genuinely like to make. But the pieces have to fall into place in the right way.Q: Someone mentioned to me earlier that 锟紺happie锟?is very Blomkampian.A: What? Well, that锟絪 interesting.Q: Are you OK with that?A: Yeah. That锟絪 cool! I like that.Ed Symkus covers movies for More Content Now.
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